DaVinci Resolve 16.2.4 also addresses an issue that affected project saving after editing audio keyframes, improves custom Fusion tool performance, adds support for Blackmagic RAW 1.8 and more. This version requires a DaVinci Resolve Studio license dongle or software activation code. Blackmagic RAW is a revolutionary new and very modern codec that's easier to use and much better quality than popular video formats, but with all the benefits of RAW recording. Blackmagic RAW Player can playback media in the Blackmagic RAW format or media with the.braw file extension. In addition to Blackmagic RAW support, DaVinci Resolve 15.1 update also adds support for new audio ducking features using side-chain compression, support for Fusion compositions outside of the edit timeline, Fusion loader nodes, audio bouncing with effects, source timecode overlays, keywords for markers and more. Blackmagic RAW is a new, modern codec developed by Blackmagic Design to exceed quality standards of other popular video formats, with all the benefits of traditional RAW recordings. It features multiple technologies to assist in color performance and better quality images. Blackmagic raw after effects keyword after analyzing the system lists the list of keywords related and the list of websites with related content, in addition you can see which keywords most interested customers on the this website.
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Just received your Blackmagic Design Cinema Camera and itching to shoot some RAW footage? These resources will help you get started and make the most of your shiny new camera!
With some video professionals just now receiving their long awaited Blackmagic Design Cinema Camera it seems like a good time to be learning how to deal with all the RAW footage that might be coming your way. These resources should help you get started whether your shooting or editing RAW footage shot with the BMDCC.
Preparing for RAW – a DP’s perspective
Ryan E Walters has written up a great post on how to prepare yourself to shoot RAW before you hit the set, while you’re on set and what to do with the footage in post production. If you’re a cameraman or DP this post is definitely worth reading before you start taking on paying clients with your brand new Blackmagic Cinema Camera. Ryan comes everything from rigging the camera, thinking about audio and how to handle the amount of data you will be creating.
Blackmagic Design Cinema Camera – RAW Post Workflows
If you’re an editor planning a Cinema Camera RAW workflow or even wondering exactly what RAW is, then Oliver Peter’s post on RAW Workflows will fill you in with all you need to know. Oliver explains what CinemaDNG is, how RAW files function and then goes on to detail several ways of turning this image sequences into editable quicktimes using applications like Lightroom, Photoshop, After Effects and DaVinci Resolve. He also concludes with a thought about why you might want to shoot BMD film instead, which records to Pro Res HQ Quicktimes.
Correctly importing camera raw images is important. For instance, Apple Final Cut Pro X will natively read the BMCC’s CinemaDNG files, but it currently has no raw importer settings. If the “as shot” metadata makes the image appear overexposed with clipped highlights, you cannot recover that detail from within FCP X. Likewise, not all camera raw importers use the same values. An image opened at the default or the “as shot” value in DaVinci Resolve will look different than in an Adobe application. The beauty of raw, though, is that the image is within an adjustable range and any of these importers will give you good results with a few tweaks.
How does the BMDCC compare with other cameras?
A DP friend of mine, Adam Roberts, just recently received his brand new Blackmagic Design Cinema Camera and immediately set about doing some hair and skin tests to compare its image with the Sony FS100 and Canon 5D Mark II. You can even download some sample DNG files if you want to get into the nitty gritty of the images for yourself. Adam details his full workflow with the BMDCC RAW files in the comments section on vimeo.
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Blackmagic Studios announced their new RAW codec September 14th 2018, claiming it is a “next generation codec.” So is it?
What is Blackmagic RAW? How does it work? What can it do that other RAW codecs can’t? In the following article, we’ll answer these questions and more, including how it will improve RAW workflows.
So, let’s take a look at Blackmagic RAW. (Here’s the original press release.)
The Basics of Blackmagic RAW
Blackmagic RAW is a visually lossless codec. As we’ve covered before, this means that the footage gets compressed into a vastly smaller data set that will later decode into a visually identical image to the uncompressed data. Midtown madness 2 download mac.
While this kind of technology is far from new, Blackmagic is touting some impressive new tech. They claim that their new RAW codec will offer equal or better image quality to any other codec on the market, but at file sizes similar to those you’ll find in lossy encoding techniques, such as h.264.
In addition to file size, Blackmagic is claiming that their RAW codec will have equal or greater image quality, bit depth, dynamic range, and control as any other RAW codec. This is partly thanks to a new advanced de-mosaic process that splits the decoding workload between your computer and the camera recording the footage. This allegedly allows for unrivaled capture and playback speeds over any other RAW codec.
Blackmagic has distanced itself from ProRes Raw by opting for a more inclusive, cross-platform, open development strategy. While Apple requires manufacturers to pay licensing fees to use their technology, Blackmagic has included a Software Developer’s Kit (SDK) that will enable manufacturers of cameras, external recorders, and post-production programs and plugins to take full advantage of Blackmagic RAW immediately. This appears to be a direct shot at ProRes Raw, which (despite debuting in April) has yet to see full industry acceptance due to Apple’s tight grip on its patents.
Beyond the fancy new tech, Blackmagic touts best-in-class performance over the competition for an array of modern imaging and playback requirements:
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- High-resolution recording and playback.
- High frame rate recording and playback.
- HDR recording and playback.
- Codec flexibility for various cameras and sensors.
- Simultaneous recording of proxy files.
- Cross-platform support for every step in the imaging and post-process pipeline.
Blackmagic RAW information is stored in the “.braw” container, and additional outputs are stored as “.sidecar” files. We’ll come back to this later.
But for now, let’s get an idea of what’s under the hood.
What Blackmagic Brings to the Table
Blackmagic RAW draws from an impressive array of tech to achieve its goals. Here are some of the highlights it brings to the table for RAW workflows.
Speed
At the heart of Blackmagic’s design principles for this new RAW offering is speed. Blackmagic RAW should beat out all other codecs thanks to a few handy tricks and innovations.
Advanced De-Mosaic
Blackmagic has re-thought the way the recording device and computer handle different tasks in the imaging pipeline. Blackmagic RAW introduces a new “Advanced De-Mosaic” process, which will eliminate the need for de-bayering and other image processing when accessing the footage on a computer or editing device. In addition to De-Mosaicing, noise management, sensor profiling, and new edge reconstruction algorithms have moved in-camera.
This should result in lightning-fast capture and playback speeds without sacrificing RAW’s post-production flexibility.
Playback and Editing Speed
Blackmagic RAW was designed to accelerate post-production workflows. It is multi-threaded, meaning that even at the clip level, you will still be using your fancy processor. Further, it also offers GPU acceleration for any graphics card, operating system, or editing system. Blackmagic has future-proofed its codec by baking performance scaling in from the get-go.
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In contrast to many other RAW codecs, Blackmagic RAW footage is stored as individual clips rather than as image sequences, vastly reducing post-production headaches.
Flexibility
Beyond simple read/write times, Blackmagic RAW brings some serious upgrades to RAW workflows and gives users a multitude of options for their productions.
Full Production Pipeline
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Blackmagic RAW was designed from the ground up with the full post-production pipeline in mind. As opposed to many other RAW codecs, no transcoding or complicated round-tripping will be necessary — you can use Blackmagic RAW to record, edit, color, and do SFX work without issue.
Options for Any Production
Blackmagic RAW offers compression ratios ranging from 3:1 all the way up to 12:1 — perfect for anything from a big-budget feature to your cousin’s wedding.
Simultaneous Proxy Recording
While not the most innovative item in this list, Blackmagic RAW offers the same flexibility as some of the biggest RAW codecs by allowing simultaneous recording at multiple compression ratios. The full-fidelity footage is stored as “.braw,” while any additional proxy outputs will be saved as “.sidecar.”
CBR and CQ
In addition to options for compression ratios, Blackmagic has developed an option for prioritizing file size or image quality. “Constant BitRate” functions the same as any other codec by placing a cap on the maximum data rate of incoming footage from the sensor. “Constant quality” inverts this by un-capping the bitrate in order to preserve fine details even in complicated shots.
RAW Player
While dedicated players and RAW viewers have become the norm for most RAW codecs, Blackmagic claims to offer a little more with theirs. The Blackmagic RAW Player ensures that you see every pixel as you recorded it, regardless of how beefy your machine is.
Metadata
Blackmagic RAW’s metadata recording has been optimized for modern post-production. This means a new level of easy-to-understand clip information for all your RAW footage.
Open Standard
Blackmagic has employed an open-standard, cross-platform, license-free approach to their new RAW codec. This means rapid integration into your editing program, external recorder, camera, and so on — regardless of whether you use Apple, Windows, or Linux. Even if this were the only advantage, it would still be enough for me to say that Blackmagic RAW beats ProRes Raw.
Fidelity
The speed and flexibility offered by Blackmagic RAW don’t come at the cost of image quality.
Q0 and Q5
Even more than compression options and simultaneous proxy recording, Blackmagic RAW’s Q0 and Q5 should dramatically deepen the resultant image quality of your footage. The “Q” in both Q0 and Q5 stands for “quantization.” We’ve covered quantization a couple times before, but all you need to know is that quantization always results in lost data.
Q0 employs “Minimum Quantization,” resulting in the highest-possible image fidelity, while Q5 employs moderate quantization for better encode times and file sizes.
Gen 4 Color Science
Without delving too far into the technical details, Blackmagic RAW employs a non-destructive 12-bit non-linear color space to produce “extremely accurate skin tones and gorgeous, lifelike colors” that should rival the color reproduction of the best cameras on the market today.
While many Raw codecs employ LUTs for their colorometry, Blackmagic RAW uses its highly advanced metadata to preserve vital chroma information.
Blackmagic RAW is currently in beta and is completely free to download and try — as long as you have the Ursa Mini Pro 4.6k or the beta release of Resolve 15.1. No doubt, Blackmagic is buying time for third-party vendors to implement support for the codec. When the official release comes, expect a slew of supported devices, programs, and plugins.
Everything I’ve seen so far about Blackmagic RAW leads me to the strong conviction that this will be the RAW codec to beat in the coming years. It stands to unseat even Apple’s brand new ProRes Raw due to Blackmagic’s open-source, license-free, cross-platform stance with third-party vendors and manufacturers. This open model means more tools in the hands of filmmakers right out of the gate.
What a concept — developing solutions for the end user over complex licensing schemes designed to maximize profits.
I know which company gets my support.
All images via Blackmagic Studios.
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